German Jewish Cultures

Animal, Vegetal, Marginal explores the oft-forgotten yet provocative German genre of die Groteske, or the literary grotesque. This short prose form challenges the norms of being human and being accepted as such by society in exaggerated and satirical ways. Between the Kaiser's and Hitler's Reichs, the genre's irreverent comedy and criticism sold out cabarets, drew droves of radio listeners, and created bestsellers.

Yet, because its authors were ruthlessly censored and persecuted, die Groteske is virtually unknown today and neglected by scholarship.
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How did German Jews present their claims for equality to everyday Germans in the first half of the nineteenth century? We Will Never Yield offers the first English-language study of the role of the German press in the fight for Jewish agency and participation during the 1840s.
 
David Meola explores how the German press became a key venue for public debates over Jewish emancipation; religious, educational, and occupational reforms; and the role of Jews in German civil society, even against a background of escalating violence against the Jews in Germany.
 
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In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places…

In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new…

Ernst Lubitsch (1982–1947) was one of the most successful and influential German filmmakers in American film comedy. In this volume, Rick McCormick argues for a more transnational view of Lubitsch's career and films with respect to nationality, ethnicity, migration, class, sexuality, and gender. McCormick focuses on Lubitsch's Jewishness, which is inseparable from the distinct transnational character of the director, categorizing his early films as "Jewish comedies" where Lubitsch strikes a tenuous balance between Jewish humor, antisemitic jokes, stereotypes, and the incorporation of…

Steinke, Ronen: Fritz Bauer. The Jewish Prosecutor Who Brought Eichmann and Auschwitz to Trial, (2020) German Jewish judge and prosecutor Fritz Bauer (1903–1968) played a key role in the arrest of Adolf Eichmann and the initiation of the Frankfurt Auschwitz trials. Author Ronen Steinke tells this remarkable story while sensitively exploring the many contributions Bauer made to the postwar German justice system. As it sheds light on Bauer's Jewish identity and the role it played in these trials and his later career, Steinke's deft narrative contributes to the larger story of Jewishness in…

Since the refugee crisis of 2015, the topic of migration has moved to the center of global political debates. Despite the frequently invoked notion that current developments are without historical precedent, migration has been a constant feature of contemporary history, particularly in Europe. Jannis Panagiotidis considers a particular type of migration, co-ethnic migration, where migrants seek admission to a country based on their purported ethnicity or nationality being the same as the country of destination. Panagiotidis looks at immigration to Germany and Israel, focusing on individual…

During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical…

Ilany, Ofri: In Search of the Hebrew People. Bible and Nation in the German Enlightenment, (2018) 

As German scholars, poets, and theologians searched for the origins of the ancient Israelites, Ofri Ilany believes they created a model for nationalism that drew legitimacy from the biblical idea of the Chosen People. In this broad exploration of eighteenth-century Hebraism, Ilany tells the story of the surprising role that this model played in discussions of ethnicity, literature, culture, and nationhood among the German-speaking intellectual elite. He reveals the novel portrait…

In this rich transnational history, Cornelia Aust traces Jewish Ashkenazi families as they moved across Europe and established new commercial and entrepreneurial networks as they went. Aust balances economic history with elaborate discussions of Jewish marriage patterns, women's economic activity, and intimate family life. Following their travels from Amsterdam to Warsaw, Aust opens a multifaceted window into the lives, relationships, and changing conditions of economic activity of a new Jewish mercantile elite.

Nowhere else have Jews contributed so massively and consequentially to the general culture than in Germany. From Mendelssohn to Marx, from Freud to Einstein, Jewish contributions to secular German thought have been both wide-ranging in scope and profound in their impact. But how are these intellectual innovations contributions to European Jewish culture? How are they to be defined as Jewish? Scott Spector argues for a return to the actual subjects of German-Jewish history as a way to understand them and their worlds. By engaging deeply with the individual as well as with…

Frakes, Jerold C.

While much early Yiddish literature belonged to pious genres, quasi-secular genres—epic, drama, and lyric—also developed. Jerold Frakes contends that the historical context of the emergence of Yiddish literature is an essential factor in any understanding of its cultural relevance in a time and place where Jewish life was defined by expulsions, massacres, and discriminatory legislation that profoundly altered European Judaism and shook the very foundations of traditional Jewish society.