Prof Richard I. Cohen
(Hebrew University of Jerusalem, Israel)
6.30pm, 14 February 2019
Moses Mendelssohn has engaged artists of Jewish and non-Jewish origin from his lifetime until today. The lecture will show how, over this long period, Mendelssohn has been turned into the icon of German-Jewish modernity by being represented in a myriad of ways and techniques.
Richard I. Cohen is the academic director of the Israel Center of Research Excellence (ICore) for the Study of Cultures of Place in the Modern Jewish World. Formerly the Paulette and Claude Kelman Chair in French Jewry Studies at the Hebrew University of Jerusalem, he has published widely on the history of Jews in western and central Europe and on the inter-relationship between art and society in the modern period. Among his publications: The Burden of Conscience. French-Jewish Leadership during the Holocaust; Jewish Icons. Art and Society in Modern Europe; co-curator and co-editor of From Court Jews to the Rothshilds: Art, Patronage, and Power, 1600-1800, and Le Juif Errant: Un témoin de temps. He recently edited and introduced Place in Modern Jewish Culture and Society [vol. 30 of Studies in Contemporary Jewry, Oxford University Press, New York].
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