Leo Baeck Institute London Lecture Series 2023

The monstrous Jew of popular imagination found perhaps his most salient expression in Weimar cinema’s love of the uncanny. These films derive their lasting fascination from the often-ironic interplay of their separate and yet related gendered, sexualised and racialised portrayals. The talk explores how spectatorial pleasure can arise from the emerging gaps where the incoherence of these categories, presumed to be absolute in the biologized discourses of modernity, is playfully made visible and ridiculed.

Cathy Gelbin is Professor of Film and German Studies at the…

British culture has always been fascinated by the figure of the Jewess. This lecture will explore its roots in nineteenth-century theology, and its popularisation through literature. In contrast to the more well- known stereotypes of Fagin and Shylock, the virtuous Jewess was an emblem of the privileged status accorded to both women and Jews in Victorian Protestant culture and demonstrates that Jews could function not simply as an ‘other’ within modern cultures, but also, simultaneously, an ideal self.

Art can be a powerful force in shaping the way we see and think about the world: pictures craft our ideas of beauty and ugliness, good and bad, power and weakness. This lecture traces how medieval Christian images of Jews, originally designed to aid religious devotions, made Christians look at Jews with new curiosity and interest, and drew their attention to previously unnoticed aspects of Jewish life and looks. As images of Jews evolved from benign but outdated Hebrews to caricatured usurers and demonic sorcerers, Christian society developed new – and increasingly hostile – ideas about…

Jüdische Kinder in Erez Israel, a collection of twenty-one photographs of adorable Jewish children in Mandatory Palestine, was the last overtly Jewish-themed photobook published in Germany before the Holocaust. Yet its propaganda mission transcended its diminutive size and surface superficiality. This talk examines how this photobook creates an allegory of Jewish vulnerability by eliciting responses associated with the minor aesthetic category of ‘cuteness.’ In so doing, it broadens our understanding of how photobooks helped expand the visual lexicon and aesthetic strategies…

Jewish women have been at the forefront of feminist autobiographical comics since the 1970’s as they challenged sexism in popular culture. But how have they revised misogynistic images and stories closer to home? Sarah Lightman will illustrate how Sharon Rudahl in her bildungsroman ‘The Star Sapphire’, Miriam Katin in her Holocaust memoir, We Are on Our Own, and her own graphic novel, The Book of Sarah, transform biblical narratives and images to reflect their own, lived, experiences.