Welcome to the LBI London
The Leo Baeck Institute London is devoted to the study of German-Jewish history and culture. The LBI is an independent charity and aims to preserve and research this history by organizing innovative research projects, Fellowship programmes, and public events. Through the lens of German-Jewish history, the Institute seeks to address some of the most topical and timely questions of our times.
The Leo Baeck Institute for the Study of the History and Culture of German-speaking Jewry is delighted to announce its 2022 Year Book Essay Prize. The Leo Baeck Institute Year Book is a fully refereed Oxford University Press journal and covers cultural, social, and economic history. A leading journal in the field, the Year Book has appeared annually since 1956.
The Essay Prize was established in 2011 to stimulate new research on the history and culture of German-speaking Jewry, and to promote young researchers in the field. The essay can be on any topic on the history and culture of German-speaking Central European Jewry from early modern times through to the present.
The winner will receive:
- Publication of the winning essay in the 2022 volume of the Leo Baeck Institute Year Book
- A cash prize of £500
- A free year’s print and online subscription to the Leo Baeck Institute Year Book
How to enter
Entries should be prepared according to Year Book house style and submitted through our online submission system. Please refer to the Competition Rules for instructions on how to prepare and submit your manuscript. All entries will be peer reviewed anonymously. The winner will be selected from all entries recommended for publication by our peer reviewers.
The closing date is 31 March 2021.
The competition is open to recent PhDs and Postdocs who have received their PhD no more than 5 years ago. The entry must not be under consideration for publication elsewhere.
Leo Baeck Institute Lecture Series 2019/20: ‘Acting Jewish: Between Identity and Attire’
We are happy to announce that the recording of the fourth lecture in the series, Paul Herzberg‘s Acting Jewish: Perception and Reality, is now online.
To listen, please click here.
Leo Baeck Institute Lecture Series 2019/20 – Acting Jewish: Between Identity and Attire – Paul Herzberg
Leo Baeck Institute Lecture Series, London 2019-20
Acting Jewish: Between Identity and Attire
A lecture series organised by the Leo Baeck Institute London in cooperation with the German Historical Institute London.
This season’s lecture series investigates the complex nature of what it means to act or appear Jewish and for whom this appearance is important. Examples are drawn from a wide range of performative settings: on stage, on screen, in daily life. Under which conditions do certain elements of fashion and attire appear ‘Jewish’? How do Jews consciously showcase or hide their identity by way of ‘acting’ and dressing in certain ways? And how were these elements conceptualised in the wider discourse: as ‘natural’ – self-expressions of an ethnical identity, as attire communicating a social role, or ‘prejudiced’ – as a ‘costume’ hiding the wearer’s true identity?
For more information on the lecture series please refer to the leaflet here.
We are delighted to be able to resume our LBI Lecture Series on Zoom. Dr Daniel Wildmann (Director, Leo Baeck Institute London) has the pleasure of warmly inviting you to the fourth lecture in the series:
Actor and writer, London, UK
Acting Jewish: Perception and Reality
6.30pm, 8th October 2020
What does ‘acting Jewish’ really mean? Is it a style of performance drawing on the alleged traits of global Jewry? Or is it perhaps about ancient perceptions? Paul Herzberg offers a view, drawing on his four decades in the entertainment industry.
Paul Herzberg is an actor and writer. His most recent appearances as an actor were as John Vorster in Antony Sher’s ID at the Almeida; Shylock in The Merchant of Venice at The Arcola, at the RSC as Vincentio in The Taming of The Shrew; in 2017 Shimon Peres in the award-winning play, Oslo. Recent television includes Daniel Borgoraz in the award-winning serial The Honourable Woman. His screenplay Almost Heaven won the Nashville International Best Feature Award, and his stage play, The Dead Wait, was shortlisted for The Verity Bargate Award, nominated in three categories for the MEN theatre awards, winning best actor. His commissioned screenplay Anna’s Story was selected for the 2018 Brit List.
This lecture will be held online via Zoom on Thursday, October 8th 2020 and will start punctually at 6.30pm (UK time).
To join the event please click this link: https://zoom.us/j/99415996845?pwd=Q01KaVorWWQyYS9VbDkrOHM3N3lSdz09 at the appointed date and time, wait to be admitted by the host and follow the instructions on your screen. If you have any difficulty joining us on the night, please contact email@example.com and a member of staff will be able to assist you.
Admission is free but we would welcome if you could inform us of your intention to participate prior to the event by emailing us on firstname.lastname@example.org. This would help us to prepare in advance for participant numbers and management.