Category Archives: LECTURES

Leo Baeck Institute Lecture Series London, 2018/19

Seeing Jews in Art: Networks, Fantasies and Dreams

A lecture series organised by the Leo Baeck Institute London in cooperation with the German Historical Institute London.

This season’s topic will explore the agency of Jews within the networks shaping visual culture. Spanning from the middle ages to the present, and across a range of different media, it will focus on the point of intersection of Art by Jews with Art about Jews and the complex interplay of Jewish reactions to their depiction in Western art and Gentile attitudes towards Jewish visual culture. How do Jews respond and attempt to re-shape their images, stereotyped by the majority societies surrounding them? How does Jewish material culture them? How does Jewish material culture influence Western visual culture, and how were Jews entangled with the art world?

For more information on the lecture series please refer to the leaflet here.

Dr Daniel Wildmann (Director, Leo Baeck Institute London) has pleasure in inviting you to the fifth and final lecture in the series:

 

Prof Nathan Abrams

(Bangor University, UK)

Treyf Jews?: Jewish Gangsters in McMafia and Peaky Blinders

6.30pm, 4 April 2019

In this illustrated lecture, professor Nathan Abrams will explore recent British representations of Jews on television focussing on the role of the Jewish gangster in McMafia and Peaky Blinders in particular.

Nathan Abrams is Professor in Film at Bangor University of Wales where he directs the Film Studies programme and the Centre for Film, Television and Screen Studies. He is the author of Stanley Kubrick: New York Jewish Intellectual (2018) and Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019) and co-founding editor of Jewish Film and New Media: An International Journal. 

 

Lectures will be held at the German Historical Institute London, 17 Bloomsbury Square, London WC1A 2NJ and begin at 6.30pm.

Admission is free but places are strictly limited and must be reserved in advance by contacting the Leo Baeck Institute London (email info@leobaeck.co.uk or phone 020 7882 5690).

Underground: Holborn, Russell Square; Bus: 1, 7, 8, 19, 25, 38, 55, 59, 68, 91, 98, 134, 168, 171, 188, 242, 243, 521, X68

The Jewish Economic Elite

Making Modern Europe

The Jewish Economic Elite

We are delighted to announce that The Jewish Economic Elite. Making Modern Europe by Cornelia Aust has been published recently as part of our German Jewish Cultures book series.

In this rich transnational history, Cornelia Aust traces Jewish Ashkenazi families as they moved across Europe and established new commercial and entrepreneurial networks as they went. Aust balances economic history with elaborate discussions of Jewish marriage patterns, women’s economic activity, and intimate family life. Following their travels from Amsterdam to Warsaw, Aust opens a multifaceted window into the lives, relationships, and changing conditions of economic activity of a new Jewish mercantile elite.

For further information or to buy this book, please refer to Indiana University Press by clicking on the link below.

http://www.iupress.indiana.edu/product_info.php?cPath=1037_3130_10394&products_id=809125

Jewish Difference and the Arts in Vienna

Composing Compassion in Music and Biblical Theater

Jewish Difference and the Arts in Vienna

We are very pleased to announce that Jewish Difference and the Arts in Vienna. Composing Compassion in Music and Biblical Theater  by Caroline A. Kita has been published recently as part of our German Jewish Cultures book series.

During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.

For further information or to buy this book, please refer to Indiana University Press by clicking on the link below.

http://www.iupress.indiana.edu/product_info.php?cPath=1037_3130_10394&products_id=809562